shewhoworshipscarlin:
“ Formal furisode kimono, 1930, Japan.
”

shewhoworshipscarlin:

Formal furisode kimono, 1930, Japan.

3 days ago with 619 notes — via wabisabi-hikari-desu, © shewhoworshipscarlin



traditional-japan:
“Via Pinterest
”

traditional-japan:

Via Pinterest

4 days ago with 331 notes — via wabisabi-hikari-desu, © traditional-japan



amare-habeo:
“ Nagasawa Rosetsu (Japanese, 1754-1799)
Plum Tree, 1786–1787
Ink on paper
”

amare-habeo:

Nagasawa Rosetsu (Japanese, 1754-1799)

Plum Tree, 1786–1787

Ink on paper

5 days ago with 364 notes — via japaneseaesthetics, © amare-habeo



takashiyasui:

Narai-juku

5 days ago with 6,041 notes — via juutaku, © takashiyasui



met-asian:
“ by Hara Yōyūsai, Asian Art
Medium: Case: powdered gold (maki-e) and colored lacquer on black lacquer with mother-of-pearl and gold inlays; Fastener (ojime): ivory carved with abstract design; Toggle (netsuke): ivory carved in the shape...

met-asian:

by Hara Yōyūsai, Asian Art

Medium: Case: powdered gold (maki-e) and colored lacquer on black lacquer with mother-of-pearl and gold inlays; Fastener (ojime): ivory carved with abstract design; Toggle (netsuke): ivory carved in the shape of a crab

Rogers Fund, 1913 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/53935

5 days ago with 117 notes — via met-asian



japaneseaesthetics:
“ Hengaku or plaque for an Omote Senke tea room, of reishi fungus in a fan-like form carved on one side with the gilt lacquered characters for: Kakuju or Crane Good Fortune, the studio name: Sekigeido or Stone Art Hall, and on the...

japaneseaesthetics:

Hengaku or plaque for an Omote Senke tea room, of reishi fungus in a fan-like form carved on one side with the gilt lacquered characters for: Kakuju or Crane Good Fortune, the studio name: Sekigeido or Stone Art Hall, and on the reverse: Keiun or Auspicious Clouds of Peace. Late Edo – early Meiji era, circa 1850 – 1870.

Associated with the fungus of immortality, reishi represents long life. Kakuju echoes this, implying the fortunate longevity of cranes. The opening fan shape connotes auspicious beginnings.

6 days ago with 243 notes — via wabisabi-hikari-desu, © kagedo.com



japaneseaesthetics:
“ Pair of Temple Lanterns
Japan. Edo period.
4 ½" - 11.5cm
A pair of gilt copper hexagonal
lanterns. Supported on six ogee formed
feet, decorated with incised lotus
designs below a band of decorated
turbulent seas, zig-zag...

japaneseaesthetics:

Pair of Temple Lanterns
Japan. Edo period.
4 ½" - 11.5cm

A pair of gilt copper hexagonal 
lanterns. Supported on six ogee formed 
feet, decorated with incised lotus 
designs below a band of decorated 
turbulent seas, zig-zag fretwork 
pattern, below further cloud lappets. 
Suspended from a melon formed finial.

Brandt Asian Art

1 week ago with 138 notes — via japaneseaesthetics, © brandtasianart.com



erikkillmongerdontpullout:

libri-mysteria:

his-shining-tears:

ask-ickle-mod:

babyanimalgifs:

Aw, this is cute.

Honestly I can’t believe that I’m watching this right now. This is
This is the sweetest most gentle and loving and pure thing I’ve ever beheld and I feel so blessed to have seen this

“Sshh don’t cry, my baby.”

MY FUCKING HEART 😭

“My baby is big and soft and doesn’t look like me but he is my son and I love him.”

1 week ago with 719,866 notes — via catp0rn, © babyanimalgifs
#cats



gardenofthefareast:
“ Tsuba with design of Kinko riding on a carp
Japanese
Edo period–Meiji era
mid to late 19th century
Takamoto Hidemune (Japanese, 1819–1887), School Tanaka School (Japanese)
”

gardenofthefareast:

Tsuba with design of Kinko riding on a carp

Japanese
Edo period–Meiji era
mid to late 19th century
Takamoto Hidemune (Japanese, 1819–1887), School Tanaka School (Japanese)

1 week ago with 264 notes — via wabisabi-hikari-desu, © mfa.org



1 week ago with 2,489 notes — via sacetcendre