
by Hara Yōyūsai, Asian Art
Medium: Case: powdered gold (maki-e) and colored lacquer on black lacquer with mother-of-pearl and gold inlays; Fastener (ojime): ivory carved with abstract design; Toggle (netsuke): ivory carved in the shape of a crabRogers Fund, 1913 Metropolitan Museum of Art, New York, NY

Hengaku or plaque for an Omote Senke tea room, of reishi fungus in a fan-like form carved on one side with the gilt lacquered characters for: Kakuju or Crane Good Fortune, the studio name: Sekigeido or Stone Art Hall, and on the reverse: Keiun or Auspicious Clouds of Peace. Late Edo – early Meiji era, circa 1850 – 1870.
Associated with the fungus of immortality, reishi represents long life. Kakuju echoes this, implying the fortunate longevity of cranes. The opening fan shape connotes auspicious beginnings.

Pair of Temple Lanterns
Japan. Edo period.
4 ½" - 11.5cm
A pair of gilt copper hexagonal
lanterns. Supported on six ogee formed
feet, decorated with incised lotus
designs below a band of decorated
turbulent seas, zig-zag fretwork
pattern, below further cloud lappets.
Suspended from a melon formed finial.Brandt Asian Art
Aw, this is cute.
Honestly I can’t believe that I’m watching this right now. This is
This is the sweetest most gentle and loving and pure thing I’ve ever beheld and I feel so blessed to have seen this“Sshh don’t cry, my baby.”
MY FUCKING HEART 😭
“My baby is big and soft and doesn’t look like me but he is my son and I love him.”

Tsuba with design of Kinko riding on a carp
Japanese
Edo period–Meiji era
mid to late 19th century
Takamoto Hidemune (Japanese, 1819–1887), School Tanaka School (Japanese)